CAD Professional Mics E100S Supercardioid Large Diaphragm Condenser Microphone

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Price: $464.95    

Product Feature

• Large diaphragm supercardioid condenser.
• Bootstrapped, full differential Quadra-FET front end delivers high sensitivity and low distortion.
• 80Hz hi-pass filter and a 10dB pad
• 48V Phantom power required.
• Vintage woodgrain cherry case and stealth shock mount included

Product Description

Engineered and built in the USA, the new E100S large diaphragm supercardioid condenser has the lowest noise floor in its class (3.7 dBA) and the smooth vintage tone and robust low end CAD is known for. The bootstrapped, full differential Quadra-FET front end delivers high sensitivity and low distortion, plus CAD's proprietary circuitry ensures the highest performance. The nickel plated 1" capsule delivers accurate phasing on instruments, and a full rich vocal tone, accentuated by the extended low frequency response. Features include an 80Hz hi-pass filter and a 10dB pad. From vocals to percussion, acoustic instruments and everything in between, the CAD Equitek E100S will prove to be one of the most versatile tools in your microphone locker, in the studio or on stage. Vintage woodgrain cherry case and stealth shock mount included. 48V phantom power is required. ApplicationsStudio Vocals Choir Acoustic Instrument Guitar Cabinets Bass Cabinets Strings Piano Cymbals/OverheadsSpecificationsOperating Principle: Condenser Polar Pattern: Supercardioid Frequency Response: <40Hz - 18kHz Sensitivity: -30dBV (28mV) @ 1Pa Impedance: 150 ohms Max SPL: 150dB (Pad engaged) Self Noise: 3.7 dBA (best in class) Hi-Pass: 80Hz Attenuator: 10dB Power Requirements: P48NOTE: The E100SM shock mount DOES NOT Large diaphragm supercardioid condenser. Bootstrapped, full differential Quadra-FET front end delivers high sensitivity and low distortion. 80Hz hi-pass filter and a 10dB pad 48V Phantom power required. Vintage woodgrain cherry case and stealth shock mount included

CAD Professional Mics E100S Supercardioid Large Diaphragm Condenser Microphone Review

I have a modest home studio, and my recordings have received kind comments from listeners and fellow engineers alike. Though I am on a budget like almost everyone else, I take my equipment seriously, and believe that one is better off saving for what will deliver widely-recognized quality, rather than trying to economize by buying the minimum you need to get a recording done. When you buy too cheap, you often end up spending 3x what you would have spent (for the good stuff) in money lost through trade-ups--because you just can't get happy.

My personal philosophy out of the way, I have respectable gear that can help me tell the difference between a decent mic and a wannabe.

I tested the e100s through a Metric HALO ULN-2 extended, Logic Pro-9, ADAM A-7 Monitors, and various reference quality headphones, including the AKG K-701 and Ultrasone PRO 750s.

I used the mic by itself, X/Y with a Peluso CEMC-6 SMC, and in an M/S configuration with a RODE K-2 Tube mic. I recorded both vocals and acoustic guitar (this last being my personal favorite for showing up crappy wannabe equipment. Transients, fundamentals, and harmonics from a quality guitar are a great test for mics, pre-amps and monitors, and I have two guitars I tried: a Martin D-35, and a Larriv e LV-05e).

The e100s didn't disappoint. It delivered nicely textured, transparent sound, and as a bonus (especially for those of us who want to make clean, quiet, acoustic recordings), it was uncannily, blissfully, quiet. I mean quiet. Did I say quiet?

My ULN-2 has something like a 125dB S/N Ratio, and this mic made it worth the investment. Holy-moly. I've used Neumann, RODE, Peluso, MXL, etc., etc... this mike is the quietest of them all...even quieter than the TLM-103.

Great sound. Dead quiet. Buy it.

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