CAD Large Diaphragm Supercardioid Condenser

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Price: $499.99    

Product Feature

• Engineered and built in the USA
• Lowest noise floor in its class (3.7 dBA) and the smooth, vintage tone and robust low end CAD is known for
• Perfect for: Studio Vocals, Choir, Acoustic Instrument, Guitar Cabinets, Bass Cabinets, Strings, Piano, Cymbals/Overheads
• Supercardioid Condenser, Frequency Response < 40Hz - 18KHz, Sensitivity: -30dBV (28mV) @ 1Pa
• Vintage woodgrain cherry case and stealth shock mount included

Product Description

CAD Large Diaphragm Supercardioid Condenser with low noise floor - includes stealth shockmount and woodgrain cherry case

CAD Large Diaphragm Supercardioid Condenser Review

I have a modest home studio, and my recordings have received kind comments from listeners and fellow engineers alike. Though I am on a budget like almost everyone else, I take my equipment seriously, and believe that one is better off saving for what will deliver widely-recognized quality, rather than trying to economize by buying the minimum you need to get a recording done. When you buy too cheap, you often end up spending 3x what you would have spent (for the good stuff) in money lost through trade-ups--because you just can't get happy.

My personal philosophy out of the way, I have respectable gear that can help me tell the difference between a decent mic and a wannabe.

I tested the e100s through a Metric HALO ULN-2 extended, Logic Pro-9, ADAM A-7 Monitors, and various reference quality headphones, including the AKG K-701 and Ultrasone PRO 750s.

I used the mic by itself, X/Y with a Peluso CEMC-6 SMC, and in an M/S configuration with a RODE K-2 Tube mic. I recorded both vocals and acoustic guitar (this last being my personal favorite for showing up crappy wannabe equipment. Transients, fundamentals, and harmonics from a quality guitar are a great test for mics, pre-amps and monitors, and I have two guitars I tried: a Martin D-35, and a Larriv�e LV-05e).

The e100s didn't disappoint. It delivered nicely textured, transparent sound, and as a bonus (especially for those of us who want to make clean, quiet, acoustic recordings), it was uncannily, blissfully, quiet. I mean quiet. Did I say quiet?

My ULN-2 has something like a 125dB S/N Ratio, and this mic made it worth the investment. Holy-moly. I've used Neumann, RODE, Peluso, MXL, etc., etc... this mike is the quietest of them all...even quieter than the TLM-103.

Great sound. Dead quiet. Buy it.

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